THEATER • FILM • ORIGINAL PROJECTS
Music: The invisible body of the stage and the image.
Theater and film have shown me that composition is an act of translation and complicity.
Music merges with the dramatic action and the light, ceasing to be merely sound and becoming space, time, and shared emotion.
“The silent nourishment that unites the visible to the invisible.”
ORIGINAL CREATION
The dramatic script born from music.
If in theater and film the story usually begins with the written word, my creations propose a different path: here, the music itself is the dramaturgy.
Each work is born from a premise, an essential question that I investigate through sound. It is the depth of the composition—born from visceral emotions and images of life—that dictates the direction, eventually integrating the body, movement, and imagery into a visual symphonic poem.
THE CREATIONS
Each work is born from a different question.
Silences of light and shadows
Ineffable love
One
Tales of love, madness, and dementia
FILM
Composing for film is learning to listen to different universes.
Some collaborations are born from blind trust and mutual admiration, where I create without ever seeing the images; in others, I work side-by-side with the director in the editing room, fine-tuning the rhythm, the silence, and the emotion of every shot.
Whether through major productions or independent alliances, the engine remains the same: admiration and the shared courage of watching a work come to life.
FILMOGRAPHY
Complicity transformed into imagery.
"The Happy Copy of Eden"
"The Dionti Family"
"The River"
THE PATH
Theater as a destination.
Some connections change everything. Mine with theater happened at thirty, as an act of liberation and audacity. Stripped of pretension, I entered a world I did not know, and there I remained for ten years.
More than a discipline, theater was the shelter that welcomed me as a person and shaped me as an actor, in a space where values I once thought non-existent lived in full bloom. There, my music also found its place. It is this training and lived experience that give courage and wings to my present path.
Despite individualistic trends, theater remains my root. No matter how many projects are left behind along the way; it is within the vibration of the stage that I find my true home.
- 2001 | Nosferatus
- 2003 | Leonardo’s Boots
- 2004 | Elena
- 2006 | The Braid
- 2007 | Opera Within Me
- 2011 | Regional Drama
- 2012 | Corral Alheio
- 2013 | We’ll Leave the Tragedies to Shakespeare
- 2023 | Cabaret Cherri
- 2024 | Cabaret Constantino
TODAY
Where sound and presence meet.
Over time, I understood that creating is also about embracing a social role: an opportunity to bring people closer and build community through listening.
Each new project is designed as an invitation to a sensory experience—a shared space where sound and image seek to provoke reflection, awaken emotion, and rescue what unites us.
“The true performance is completed by those who feel it.”